do you remember?
pencil and paper
There were days the pencil wants to do nothing but make love to that paper…paper from the ‘agenda’…from that coveted hardcover planner of the commercial bank of ethiopia.
Those days flakes of black graphite smudge on off-white papers with abandon … contact leads to gradients of smudge and a deliberate set of slowly materializing scratches…focused dots and translucent shades. squinting eyes. In this unwitting rumba of an interplay, the artist is in the zone, an outside observer.
I found my agenda recently, here are scribblings from 10th grade.
I was a closeted artist who sat in class and drew caricatures of my classmates and teachers. Instead of paying attention, I was on the prowl for irritating teachers and rebelling from their expectations…because that was what we do…
It did not occur to me i could actually pursue it. It felt comfortable being ‘good enough’, and lauded by others. I made variety my forte…an expertise. It was all like a sprinkle of swank…With the worth given art in the society and what i thought was the mediocrity of the art i produced… didn’t believe I had the authority to claim a peg: Artist.
Looking back, it was frustrating when I couldn’t fulfill misses art teacher’s biddings and replicate nature in photo-copy mode. And for the love of destiny- there always were those kids much more talented, it seemed, always effortlessly scratching together unearthly creations while… I… busily nursed growing pains, cramps and coughs trying to be creative – writing, drawing …
’seeped in mediocrity!’ an amusing thought, without really trying to develop…?
identity…creativity
Trying to explain all this… grappling with perplexities that tease the society I grew up in, I peg part of a stunted creativity on a conformist culture. how much does creativity develop in a conformist society? Where is the space for ‘being different’ …?… a space that encourages exploring individuality, personality…. self-expression? In some ways… living in Ethiopia resembles growing up in a training ground for peggers and cliques.
Meanwhile,
Hi! My name is tpeace. I thank you for not pegging me.




geez. you dont know on how many levels i can relate to that. artist is a title you have to earn after having a body of work to be proud of.
im still at the birth pangs of my career but when asked what am i do, what else am i suppose to say???? there aren’t many synonyms for artists and when you do try to explain, you have puzzled expressions staring back you.
my childhood in ethiopia was rather a contradiction my single mother encouraged everything and anything artsy yet at school there was no outlet for me. none what so ever. it was very frustrating. you’re a star if you excel in math and science but anything else is not worth the consideration ena i did my very best to excel in those things for so many years for the sake of having somewhere to belong to but it did little to help my social life. At the end of the day I was still me and I did a very pathetic job at hiding my peculiarities and that left me with very few friends. The Ethiopian culture is about the group and conforming to that group, American culture is founded on rebellion and individuality and the place where it is most glaringly obvious is in the American schools. You gain more friends in American if you stand out, if you are a rebel if you do your own thing. But in a twisted turn about way that in of itself is a cliquish behavior. You’d think I would’ve found heaven in America but as they say, the more things change the more they stay the same. I couldn’t blend in with the individual culture, there was too much of the Ethiopian in me for that. I realized labeling is a knee jerk reaction, an attempt for folks to better understanding and control their surroundings. We all peg, just some less than others.